Albert Camus

AbsurdismEdit

Many writers have addressed the Absurd, each with his or her own interpretation of what the Absurd is and what comprises its importance. For example, Sartre recognizes the absurdity of individual experience, whileKierkegaard explains that the absurdity of certain religious truths prevents us from reaching God rationally. Camus regretted the continued reference to himself as a "philosopher of the absurd". He showed less interest in the Absurd shortly after publishingLe Mythe de Sisyphe (The Myth of Sisyphus). To distinguish his ideas, scholars sometimes refer to the Paradox of the Absurd, when referring to "Camus' Absurd".^{[citation needed]}

His early thoughts appeared in his first collection of essays, L'Envers et l'endroit(Betwixt and Between) in 1937. Absurd themes were expressed with more sophistication in his second collection of essays, Noces (Nuptials), in 1938. In these essays Camus reflects on the experience of the Absurd. In 1942 he published the story of a man living an absurd life as L'Étranger (The Stranger). In the same year he released Le Mythe de Sisyphe (The Myth of Sisyphus), a literary essay on the Absurd. He also wrote a play about Caligula, a Roman Emperor, pursuing an absurd logic. The play was not performed until 1945.

The turning point in Camus's attitude to the Absurd occurs in a collection of four letters to an anonymous German friend, written between July 1943 and July 1944. The first was published in the Revue Libre in 1943, the second in the Cahiers de Libération in 1944, and the third in the newspaper Libertés, in 1945. The four letters were published asLettres à un ami allemand (Letters to a German Friend) in 1945, and were included in the collection Resistance, Rebellion, and Death.